![]() ![]() And so we really wanted to make sure that the audience can track that. They’re writing these very simple rock and roll songs, ‘Look Me In The Eye’.but then when Daisy comes along, the songs get elevated. And the same thing with The Dunne Brothers. “And then when she meets the band, they get a little poppier. Her sound before joining the band is “more singer-songwritery,” with influences like Joni Mitchell and Carole King, Neustadter says. That’s partly because of Daisy’s writing style, at least in the series. But I do think it’s a little sunnier in our show than the novel. “And then wrote a song that was basically from her perspective. “He liked the name of the song,” says Neustadter. ![]() When it came to bringing the song to the screen-and recording booths-Mills chose to keep the title the same. And she was angry singing it.” Even Billy, who disapproves of the song, ends up describing it as “hard and fast and raw.” She thrashed.” Karen Sirko (Suki Waterhouse), a keyboardist in the series, describes Daisy’s voice as “guttural” and adds, “It was an angry song. For example, in the novel, Eddie praises the song’s gritty vibe. “In the book, that’s a little more of a rock song than I think our finished version is,” Neustadter adds. When it came to “Regret Me,” the sound changed too. “He had all of these friends that would just come in and out of Sound City and he would say to them, ‘You want to write a song today?’ And Marcus Mumford and Phoebe Bridgers and Jackson Browne and all these guys contributed music and it was amazing,” Neustadter says. Luckily, Mills was able to tap some famous collaborators for the project. Let them write the songs themselves.’ So all of the songs play the same narrative functions in the show that they do in the book, but the lyrics are different.” “And Taylor was like, ‘I don’t want them to be handcuffed to my work. “What we didn’t do is, we didn’t want to give them the lyrics to the book because we were dealing with these unbelievable songwriters,” executive producer and co-showrunner Scott Neustadter tells. But the author, who is also an executive producer on the show, welcomed changes for all of the songs. It’s a punchy pop-rock track that uses entirely different lyrics from the ones Reid originally wrote in her novel. Grammy winner Blake Mills, the chief producer for original music on the series, co-wrote the song with Chris Weisman, and had Sam Claflin and Riley Keough perform their own vocals as Billy and Daisy. An integral title (and, let’s be honest, diss track) in the band’s discography, the angsty composition features singers Daisy Jones and Billy Dunne exchanging barbs that reflect their personal relationship outside of the studio. When fans of Taylor Jenkins Reid’s Daisy Jones & The Six watch the new batch of episodes this week, they’ll finally be able to see-and hear-the song “Regret Me” come to life. ![]()
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